---
title: 'SHAPE DESIGNER DEMANDS RESPECT FOR YEARS SPENT MOVING SLIDERS'
url: 'https://thesecondliar.co.uk/shape-designer-demands-respect-for-years-spent-moving-sliders'
markdown: 'https://thesecondliar.co.uk/shape-designer-demands-respect-for-years-spent-moving-sliders.md'
date: '2026-11-12'
description: 'A Second Life shape designer has called for greater recognition of her artistic contribution after spending four hours moving a woman’s hips slightly further apart before deciding they had been better where they were. Saskia Vellour, whose latest L$899 release is described as “a fearless exploratio…'
---

LIFE ON THE GRID 

# SHAPE DESIGNER DEMANDS RESPECT FOR YEARS SPENT MOVING SLIDERS

 A Second Life shape designer has called for greater recognition of her artistic contribution after spending four hours moving a woman’s hips slightly further apart before deciding they had been better where they were.

 12 November 2026 

**A Second Life shape designer has called for greater recognition of her artistic contribution after spending four hours moving a woman’s hips slightly further apart before deciding they had been better where they were.**

Saskia Vellour, whose latest L$899 release is described as “a fearless exploration of contemporary femininity”, said residents routinely underestimated the technical skill required to open the Appearance window and make somebody’s bottom bigger. “People think you just move sliders,” she explained. “But which sliders? And how far? Those are the questions that separate an artist from somebody who has simply noticed there are sliders.”

Saskia’s latest creation, *Aurelia*, emerged from what she describes as an intensive development process involving research, experimentation and briefly forgetting which head she was wearing. The breakthrough came shortly after midnight when she moved Hip Width from 86 to 87, studied the result in silence, then moved it back to 86 with the exhausted certainty of someone who had finally found her voice. “You have to know when to stop,” she said. “That’s something you can’t teach. Although I do offer a masterclass.”

Her studio contains seventeen photographs of almost identical women, each representing a distinct phase of her creative evolution. Saskia explained that the differences were immediately apparent to a trained eye, pointing out that one woman’s chin was at 43 while another’s was at 45. A third represented a difficult period during which she had experimented with 44. She described this as her most challenging work to date, requiring considerable emotional resilience and the courage to confront the possibility that nobody would notice.

The designer is particularly frustrated by customers who alter her work after purchase, describing the practice as comparable to buying a painting and adding another horse. One woman reportedly reduced *Aurelia’s* breast size to fit inside a jacket, prompting Saskia to withdraw permission for her to tag the brand in photographs. “If you change it, it’s no longer my shape,” she said. “Unless people like it. Then please make sure the credits are visible.”

Customer Seren Ashby said she had initially struggled to appreciate the craftsmanship because most of the vendor image consisted of separately purchased skin, hair, makeup and lighting. However, after following a detailed style card and spending a further L$12,000, she was finally able to identify the contribution she had paid Saskia for. “It’s the gap,” she explained. “Between the nose and the mouth. Apparently she did that.”

Saskia has since announced that *Aurelia* will be retired to make way for an entirely new artistic direction. The replacement, *Aurelia II*, will feature a slightly wider jaw and retail at L$999. Customers who purchased the original will receive a discount, in recognition of the fact that they already own almost all of it.

Saskia hopes her work will one day be recognised alongside the great artistic achievements of human civilisation.

In the meantime, she has asked Linden Lab to introduce a copyright system for the number 47.

 2 

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---

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